Emily Fleisher – Home Goods – February 20 – March 30, 2016

San Antonio-based artist Emily Fleisher literally finds beauty in sliced bread or the semi burnt parchment paper that is extracted from underneath her loaf of bread after removing it from the oven. She is reminded of the real constellations in the sky when she opens a box of pasta stars to make dinner and she contemplates the once green acres that lay where her suburban home resides amongst a subdivision of San Antonio where all of the street are still named “Timber” as if in memoriam of the felling that took place.

Adult, modern life unfolds for most all in a confined, domestic context. Fleisher is just as much a participant as any, however, her retention of her childlike sensibilities to the wonderment that lies beneath the surface of this confinement allows her to embrace this existence and interpret it via her artwork with a greater and more expansive world definition that reaches as far as our imaginations will allow.

It is with great pleasure that Polyglot Gallery, a new pop-up gallery project based out of a house in the Alta Vista neighborhood in San Antonio, announces its collaboration with Emily Fleisher during the On & Off Fredricksburg studio tours February 20 – 21. Come to the domestic setting to contemplate the greater world that simultaneously resides in and transcends domesticity and the modern life. An opening reception for her exhibition, Home Goods, is scheduled for Saturday, February 20 from 2 to 4 PM where the artist will discuss her process and a special guest DJ will spin records inspired by her artwork.



Emily Fleisher Nearly Everything


Nearly Everything
silkscreened matt board, stop motion animated video
6 x 5 x 2 in.








Risen, I Put the Yeast In: Infinite Loaf, Haloaf, Embryoaf, Traditional Loaf
parchment paper liner left over from baking loaves of bread
approx. 14 x 15 in. ea.


Talk is cheap… so chat us up!

We are once again taking a break at the gallery, this time in order to welcome a new baby in November.  Whereas we will not be showing new work by our artists, we do have a great collection of artwork by Alejandro Rivera, Peter Leventhal, Sarah Davis, Millree Hughes, William Powhida, Michelangelo Bastiani, Adrian Guerrero, Rodrigo Lara, Nick Schnitzer, Yuliya Lanina, Claude Mathey and a few others.  We are always happy to have you over for a cup of coffee (freshly pressed in our Pavoni) and discuss art, farming, film, and generally contemplate any manifestations of topics ranging from bellybuttons to Austin traffic patterns.

The goal of this home gallery has always been more about keeping things real, and well life is about to get a little more real over here, so come on over! (ok. we would appreciate a call first!)




PLAY ME – Exhibition of new mechanical sculptures by Yuliya Lanina

Please join us for an exhibition of new work by Yuliya Lanina of her signature mechanical sculptures with original musical scores by Yevgeniy Sharlat. Also, on exhibition are new small works on canvas and paper.

Yuliya Lanina received her MFA in animation at Hunter College and has fused the lines between sculpture, painting and animation for years with her mechanical sculptures, which, similar to her animations, rely on music and moving images to tell her stories and do not ever include dialog. Her large animated sculptures and animations have shown the world over. When the artist noticed that her mechanical sculptures rarely end-up in the hands of private collectors because of their large size, Lanina was moved to create more “music box” size, personal animated sculptures for the private collector. “Play Me” is a culmination of this effort which involved herself, original musical scores by her husband who is the accomplished composer (and University of Texas composition professor) Yevgeniy Sharlat, and mechanical engineer Theodore Johnson to produce.

Please join us to experience these wonderful new inventions alongside the artists on Friday, September 12 from 5:30 – 8:30 PM. If you cannot make opening night, the show will be open by appointment through October 11.

**This project is funded and supported in part by the City of Austin through the Economic Development Department/Cultural Arts Division believing an investment in the Arts is an investment in Austin’s future. Visit Austin at NowPlayingAustin.com.

A special thanks for help with funding.

A special thanks for help with funding.

WEST Austin Pop-Up featuring Yuliya Lanina, CheriCo (Nick Schnitzer & Sarah Presson) & Andrea Flores



Polyglot Gallery invites the public to a special exhibition in conjunction with the WEST Austin Studio Tour which happens at different locations around West Austin on the weekends of May 10-11 and May 17-18.  Two exhibitions will be on display at the Polyglot Gallery pop-up space on South 2nd Street, these are: Load by CheriCo (the new collaborative project consisting of Nick Schnitzer and Sarah Presson) and Animate by Yuliya Lanina.  There will also be small paintings by Chilean artist, Andrea Flores.

CheriCo artists Schnitzer and Presson met in 2012 and soon found themselves in an intimate relationship.  As sentimental partners they traveled together to India in 2013.  As with any artist who travels they each came away from the intensity of their experience in this vastly different culture with their own observations and interpretations.  The one overarching theme they both noticed was the observation of people carrying impossibly large and shockingly heavy loads either on foot or perched precariously on their antiquated and cumbersome forms of transit, i.e. bikes, rickshaws and animal drawn carts.  Upon returning home, their sense of exotic bewilderment offered an acutely fresh look at their own tendencies to carry, consume, and compensate.  This current body of work is Presson and Schnitzer’s first artistic duet.  The work explores literal weight bearing, allegorical balancing acts, and archetypal harmonies.

Yuliya Lanina is a Russian- born American multimedia artist. Her paintings, animations and animatronic sculptures portray alternate realities that fuse fantasy, femininity, and humor. Employing surreal imagery to simultaneously elicit feelings of uneasiness and empathy, Lanina paints and collages bizarre characters that come to life through mechanization, animation, and music. Laninaʼs characters, mostly female in gender, are made of parts that are not supposed to go together. They act out absurd situations in a somewhat blasé, carefree and humorous manner. These characters are the artistʼs own projections of nonsensical events and their consequences. Their malformed features and parts illustrate internalized trauma and torment while still engaging in the life-affirming celebration of feminine power and its connection to the mysterious, the beautiful, and the sensual.  Lanina draws from many sources to create these characters. Though she often taps into Greek mythology with the half-human and half-animal demigods, she also relies on her personal roots with Russian fairy tales, which are filled with fantastic beings deeply rooted in paganism, mysticism, and symbolism. Her creatures and their stories move freely between logical and illogical, realistic and illusory, predictable and surprising, representing life that can only be lived, but never understood.

Happy 2014!

Polyglot Gallery has been on a 6 month hiatus as gallery owner, Melanie, has been working on a public art’s project in Houston for the Hermann Park Centennial Celebrations alongside Weingarten Art Group.  Exhibitions will resume as of May 2014.  Meanwhile, please schedule an appointment to view our permanent collection of great national and international artist – info@polyglotgallery.com

Jésica López: Everyone is a Potential Provocateur

Paintings by Jésica López, curation by Adrian Aguilera

Opening: Saturday, October 5, 2013 – Closing: November 30, 2013

(Austin, Texas); Polyglot Gallery invites the public to a special exhibition by Monterrey, Mexico artist Jésica López at their new South Austin pop-up gallery space on Saturday, October 5 with an opening reception from 6 to 8 PM with the artist.

The exhibition titled, Everyone is a Potential Provocateur, is an exhibition of twenty-five portraits of famous artists painted on Post-It® notes. The series includes portraits of artists chosen by curator Adrian Aguilera such as Cy Twombly, Marina Abramovic, Robert Mapplethorpe, and Andy Warhol – all artists who, according to López, through their craft have and continue to “provoke” change.

“I originally began this project 10 years ago circumstantially. All I had on hand to begin a project was Post-It® notes, brushes, magazines and some acrylic paint”, explains López.

Portrait painting is characteristic of Jésica López’s work, which often employs portrait painting to explore the relationship between representation vs. identity, posture vs. fame. Her work is often executed in a rapid hyperrealistic style. The series of Post-It® notes initiated ten years ago includes a whole sub-series of pop icons, politicians, and actors, each inspired in part by pop art, as well as by artists such as Lichtenstein, or more recent artists such as Karen Kilimnik. The portraits paintings reveal their origins in photography and memory.

Jésica López is represented in Mexico by Galería Enrique Guerrero where her most recent solo exhibit in August 2013, El Retrato,  involved her doing live portraits of the patrons at the gallery. She also shows at Alternativa Once Galería in Garza García and Centro de las Artes II in Monterrey as well as at the Mexican Institute in Paris, France. In 2012 she exhibited at the Museum of Modern Art in Moscow with an exhibition titled, Saludos a Gagarin: la popularidad es algo irreparable (Salute to Gagarin: Popularity is somewhat irreparable). López show at Polyglot Gallery in Austin is her first US solo exhibition.

WEST Austin Studio Tour Pop-Up Featuring Brooke Mackenzie, Yuliya Lanina, Sarah Davis & Nick Schnitzer

Polyglot Gallery is happy to announce that it will be opening up its by appointment only space as a pop-up gallery for the WEST Austin studio tour which takes place Saturday and Sunday April 27 -28 and May 4-5, where they will be showcasing artwork by Austin-based artists Brooke Mackenzie, Yuliya Lanina and Nick Schnitzer and New York City artist, Sarah Davis.


Brooke Mackenzie graduated from UT with a BFA and then went on to receive her MFA at the Edinburgh College of Art. Her artwork is characterized by its intricacy and attention to detail that often lends her work the illusion of an airy tapestry. A common theme in her body of work is the passage of time, which she illustrates by imbedding images of clock gears and illustrations of the budding, flowering and wilting of a flower, amongst other subtle images. Drawn with delicate lines and a subtle palette, Mackenzie beckons her spectator to slow down and pay attention to the details which slowly reveal themselves.

Yuliya Lanina is a Russian- born American multimedia artist who paints on canvas and paper, makes animations and animatronic sculptures which portray alternate realities that fuse fantasy, femininity, and humor. On exhibit will be her fantastical paintings and video of her signature grotesque yet beautiful imagery work that simultaneously elicit feelings of uneasiness and empathy.

Sarah Davis is a New York based artist whose work has been featured worldwide on subjects ranging from boisterous celebrity culture to tranquil urban and rural landscapes. On exhibit at Polyglot is a selection of her pastel works on paper from the series “Stars and Cars”. Work from this series has been shown in Switzerland, London, Houston and now Austin and has received rave reviews.

Nick Schnitzer was Polyglot’s first artist to be showcased in January in Austin. Return to see his meditative photo reactive and sometime kinetic wall sculptures and paintings come to life with a new led light box installation.

For a PDF catalog please e-mail info@polyglotgallery.com

Nick Schnitzer – Closer to the Divine – March 1 – April 25

As an artist who searches for the divine in every aspect of his daily interactions with others, in the natural systems of the Universe and in anything manmade, it is appropriate that the artwork of Nick Schnitzer is a meditation device to help us to connect to that voice that softly whispers but that so few take the time to quiet the mind to hear.  There are subtle and less subtle referrences to native american, hindi, buddhist and even jewish ritualistic practice in his incorporation of geometry and symbolism associated with these various religions as he re-interprets the color palettes associated with the original intent.  The artist’s utilization of photoreactive paints heightens the Contemporary conversation of the work, giving them a dynamic life in different lighting situations.  As the spectrum of L.E.D. colors flicker on and off around the work, the pieces appear to come to life and pulsate and any spectator cannot help but become entranced.

Jan. 26 – Feb. 28: Talking points

On exhibit this month at Polyglot is a collective of work by Sarah Davis, Zoe Siegel, Adrian Guerrero & Michelangelo Bastiani.  As a follow-up from the gallery’s recent involvement in International Art Fairs, the exhibit titled “Talking points” contemplates the projected image each artist actively pursues through the themes of their artwork when it is destined for an international, multi-cultural public in a globalized art market.

For a PDF catalog of the exhibit, please request at info@polyglotgallery.com.

Gordon & Maureen Morris – Anomalies

If while walking into the gallery you feel as if you have been sucked into a vortex in the space time continuum, then congratulations, you have stumbled across the most entertaining and creative show of the year, Anomalies, by Gordon and Maureen Morris.

Maureen and Gordon Morris met in college where they both graduated from the Ontario College of Art in Toronto.  Gordon started out on a career in graphic design back when the work was all done by airbrush but he soon found himself on the cusp of the early use of computers to produce these images.   He was able to adapt his style to the computer and soon became adept at using a tablet and monitor to draw and paint images.  Because of Gordon’s ability to lead the curve of the new technology he was offered jobs in exotic locations and so he and Maureen lived in Hong Kong, China, New York, Chicago, and Los Angeles where each of their creativity was guided by their experiences and surroundings.  Maureen’s love of ceramics has also taken her to Lill Street Studios in Chicago, Santa Monica College in Los Angeles and other studios along the way.  Studios are shared work spaces where ideas and techniques are exchanged between the various artists.  It was an opportunity for Maureen to learn and to teach and to truly grow professionally.

Gordon’s trip back to fine art came to real fruition after their move to Mexico once he was able to apply his creative talents towards his own, non-commercial creations.  Gordon uses Photoshop to plan out the paintings and develop the characters and subject of his work. If a new idea develops he can then scan the painting into the computer and try out the idea before committing it to the canvas which he does by hand.  Maureen also began exploring her medium to the maximum in Mexico creating geometric and organic ceramic forms (cacti, insects, hearts & functional art) influenced by her environment while incorporating the traditional firing methods in gas and electric kilns as well as pit firing, raku and naked raku techniques.

Gordon’s work is highly detailed and usually bizarre in subject. He uses sculptural elements, usually on highly complicated frames, which help to develop further the ideas in the main image.  There is usually some kind of story being told by an interesting nearly literary character.  A highly colloquial adjective that can describe the work is simply “cool”.  A sense of playful fun exudes from the work.  It is interesting how this same playfulness is also exuded by Maureen’s work.  The ceramic medium because of its more rigorous production demands lends itself to more austere expressions, yet Maureen’s work shares Gordon’s language of the light-hearted and the non-conformist.  It only takes a visit to their home and studio to understand some of the influences that help to form their current common language: vintage toys, robots, and other playful paraphernalia found from their travels around the world – items that contest to their status of children at heart and true admirers of both high and low art.

Come be transported to another world and meet the artists this Saturday, August 4 from 6 to 9 PM at POLYGLOT Gallery.   Exhibition will be on display through August 29.  For a PDF catalog of the show please e-mail info@polyglotgallery.com.